Lange Nacht der Musik, 10.07. in Oldenburg, Samstag, 17.Juli 2021 um 21:30 und 22:45 im St.Petri-Dom. Bremen

Stereologe Bewegtes Bild und Musik

Die Konzertgruppen REM/pgnm initiierte gemeinsam mit dem Filmbüro eine internationale Kooperation von FilmemacherInnen und MusikerInnen: es entstanden vier audiovisuelle Produktionen, bei denen beide Medien ihre Autonomie behalten.

Die vier Arbeiten von insgesamt 10 KünstlerInnen, FilmemacherInnen und MusikerInnen werden von REM/pgnm in bei der Langen Nacht der Musik als Weltpremiere in Oldenburg und eine Woche später in Bremen präsentiert.

Lange Nacht Der Musik
Lange Nacht Der Musik

Lange Nacht der Musik Oldenburg
Sa. 10.Juli 2021, Peterstraße Oldenburg

Lange Nacht der Musik Bremen
Sa. 17.Juli 2021, zwischen Markt und Wall Bremen
STEREOLOGE im St. Petri Dom am 17. Juli 2021 um 21.30 und 22:45

Die LANGE NACHT DER MUSIK ist längst zum Klassiker der Kulturszene im Nordwesten avanciert. MusikerInnen von klangpol bringen mit einem opulenten Angebot an Kurzkonzerten Neue Musik in all seinen Facetten und Ausdrucksmöglichkeiten zu Gehör – von zeitgenössischen Kompositionen über improvisierten Jazz bis hin zu Installationen und Performances.

Folgende Stereologe sind zu erwarten:

yes yes yes yes yes

YES YES 1
YES YES 1
YES YES 2
YES YES 2

Film: Anna Rosa Rupp, Halle
Musik: Joke Lanz, Berlin
4:34 Minuten

Although we have never met in person our collaboration was directly on a very creative and friendly level and both sides were open for an experimental approach. We both come from different directions in our style and atmosphere of visuality and sound-art so we had to be open to react to each other as we couldn’t imagined a certain result.

We both like to work with the approach of dissolving the visual or the auditory in concretion and to let abstracted material speak for itself as a composition of its own.

Our idea was to bring these approaches together playfully by sending each other material in the process and reacting to it improvised. In this way, piece by piece, an animation emerged as a collage with the attempt to approach, comment on and underscore each other in visual language and tonality.

Also on the personal level it was a very nice process of getting to know each other in each other’s creative sense.

Doll Approaching The Sun

Doll Girl
Doll Girl
Doll Moon Bird
Doll Moon Bird

Film: Radik Golovkov, Bremen
Musik: Alice Kemp, Devon UK
6:05 Minuten

The Doll is the Girl's Alter Ego and could be seen as a metaphor or a subject for extrapolation of any kind. And so, we sent our doll on a „life“ journey.

First we created a common rhythmic basis. We downloaded a track from the NASA website. This is a real (electromagnetic) sound of our sun, recorded by NASA over the years. It's a pulse we follow, and neither Alice nor me are responsible for that beat – that means, we both just react to the same (real) rhythm of the sun. Then we had to specify the whole length of our composition and tried to shape some other additional mathematical contours. for that purpose. We took the time the earth circles the sun – this way we set a good length for our work: 365 days = 365 second – about 6 minutes. Moreover, we divided this sun vibes into 4 chapters, representing four periods in the life of our Doll. These chapters didn’t necessarily have to be visible or hearable for others – it was just for us, because we had to stay on the same wavelength simultaneously.

Our suggestion was:
winter: doll going to school
spring: doll learning to fly
summer: doll’s death
autumn: doll approaching the sun
It's a kind of audio-visual sinfonietta in 4 movements.

stille post 01 + stille post 03

STILL03
STILL03
STILL04
STILL04
STILL07
STILL07

Film: Willehad Eilers, Bremen/ Amsterdam
Musik: Robert Lepenik, Graz Ö
9:24 und 10:28 Minuten

Für das Projekt 'Stille Post' haben Robert und ich uns vorgenommen, gegenseitig auf unser Schaffen zu reagieren und so einander zu beeinflussen. In Schritt eins male ich zu einem von Robert komponiertem Stück. Im Zwischenschritt zwei komponiert Robert ein weiteres Stück, auf das von mir geschickte Video. Ich reagiere dann in Schritt drei wieder darauf. 

Das Ziel einer Kollaboration ist für mich immer, etwas zu schaffen, das eine Person so nicht hätte tun können. Es geht um Austausch und das Aufgeben des eigenen Egos zugunsten des Werks.

Renovations on the Mothership

RENOVATIONS 1
RENOVATIONS 1
RENOVATIONS 2
RENOVATIONS 2
RENOVATIONS 3
RENOVATIONS 3

Film: Alex Beriault, Bremen
Musik: "The Liz": Liz Allbee, Liz Korhan Erel, Liz Kosack, Berlin
12 Minuten

In “Renovations on the Mothership”, light scans over a living subject in an approach that feels both gentle and somehow sinister. Although its purpose is unclear, it moves carefully to probe and re-shape the film’s subject by disassembling her figure into estranged parts. Within this abnormal space, music co-exists as a composition of synthetic, atmospheric, and melodic sounds, all of which modify with the light. The figure’s illuminated parts suspend amongst all-encompassing darkness, where neither a sense of gravity nor orientation appears to occur.

Alex Beriault is a visual artist whose works comprise of performance, installation, dance, and moving image. In her video, she creates an environment of light and dark, both of which become exploited in a sculptural manner to reveal, break apart, and restructure the subject matter.

The Liz is a Berlin-based musical trio who work within the genres of experimental, improvisational, jazz, beat-based electronic, and text-ridden music. Their score was improvised and arranged into a multichannel composition that extends the psychological atmosphere of the film into a physically surrounding, sonic experience.

pgnm
pgnm

Eine Kooperation der Konzertgruppen REM/pgnm mit dem Filmbüro Bremen.
Gefördert vom Senator für Kultur

Weitere Infos:

www.pgnm.de / stereologe.php
www.klangpol.de
www.pgnm.de

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